Who really benefits from technological progress? In Silent Engine, Korean interdisciplinary artist Kahee Jeong uses image and sound to show how the digital divide and an increasingly exclusive future is changing our society. In Silent Engine, Kahee Jeong explores the quiet but profound changes shaping technology and society. Inspired by thinkers such as Seneca, Alvin Toffler and Bernard Stiegler, Jeong reflects on the ‘inability to adapt’ to the rapid technological developments of our time. Jeong shows how these changes can lead to emotional consequences such as alienation, stigma and fear, especially among vulnerable groups such as the elderly, low-income people and those with limited educational opportunities. Using a multidisciplinary approach, Jeong creates an experience that invites viewers to explore the psychological and social consequences of ‘digital deprivation’. Silent Engine asks critical questions about the assumption that technological progress benefits everyone. Instead, it exposes how these advances increase inequality and threaten diversity – a crucial element for a resilient society. Like a ‘silent engine’ propelling change, Silent Engine reveals the subtle forces shaping our modern lives. The work invites reflection on the often invisible divisions in our hyper-connected world. Kahee Jeong is an artist in residence at IFFR 2025. This residency is a collaboration with V2_Lab for Unstable Media, where artists are invited to explore the cross-fertilisation between film and media art.

A 7-year-old girl's magical talking fire engine toy tries to convince her that he is needed in New York on September 11.

暂无英文版的简介，请添加内容帮助我们完善数据库。

An accident happened that one man was able to jump on the train at a railway crossing. Since that day, Mariko who witnessed the accident has no premonition and the ear is sometimes heard. For some reason someone can not communicate with the lover of lover, everyday living while worrying about the unexplained symptoms. And, "unfamiliar scenery" that can be decided. Is it reality or hallucination? She tries to escape from terror without sound.

Children's animation from the 'Smallfilms' team of Postgate and Firmin. In the 'top, left hand corner of Wales' runs an archaic railway line staffed by such characters as Jones the Steam and Dai Station. Their pride is Ivor, the steam engine with a will of his own and a penchant for such things as looking after dragons in his firebox. Not quite so pervadingly melancholic as some 'Smallfilms' creations, however it maintains an enchantingly slow pace without being sickeningly sentimental or patronising.

Doug, an aspiring country singer, has spent his life as a loser in a non-descript small town with nobody believing in his heartbreaking voice and talent as a musician. His wife has left him and only his best friend believes in him. But he has one last chance to make it.

In the 1930s, Charles Lang invents an engine that runs using water for fuel. But when he tries to get it patented, he is first offered a ridiculously low amount. When he refuses, he is suddenly several people are pressuring him to sell. The big oil companies don't want the competition. Now he has to try and keep them from getting his idea, and somehow get it published.

The MWG Space Marine Chapter is attempting to escape the warp, and the Necrons just might be able to help.

Movements of resistance are collapsed and woven together, from reflections of one’s own body in the world today to documentation of Alcatraz, the reclamation of Cahokia, and the repatriation of the ancestors. 源自：https://festival.sundance.org/program/film/638a1d8fd406b20ef7f2e032

In 1979, a delivery truck makes its way up a lonely southern California highway in a storm, bound for the San Diego Zoo with a deadly tropical rattlesnake as cargo. When the truck suffers a blowout, the driver loses control and hits a tree, shattering the snake's aquarium in the back and the window separating the snake from the driver. The snake slithers into the front of the truck, kills the driver with its bite and then moves off into the forest. Flash forward to 1999. The small southern California town of San Vicente has grown from 6,000 to 30,000, and the rattler, which escaped nearby years ago, has bred. There are now 25,000 of these hybrid rattlesnakes, and they are slowly making their way downhill into the town, attracted by the movement of the blasting as the town paves its way toward progress. Progress, in this case, brings terror, in this tale originally penned by John Carpenter.